Nom de carnet:
Date de publication:
Vendredi 27 Mars 2015 - 09:00
Publié ici :
27 Mars 2015Mis à jour le :
19 Juin 2017Mots-clefs:
- Turquie
- politique culturelle
- empire ottoman
- call for papers
- appel à contributions
Zone géographique:
- Moyen-Orient
Call for papers "The making of cultural policies in Turkey and the post-ottoman spaces circulations, territories, and actors"
The implementation of public policies for culture is closely related to the construction and consolidation of nation-states (Poirrier 2011). In Turkey too, the young Republic's first actions in the realm of culture were dictated by the imperative of national construction against the outside environment and inside turmoil both perceived as hostile. Thanks to a strong centralisation, supported locally by the governorates offices, the people houses, etc., the construction and diffusion of a national culture has gone hand in hand with the negation of the non Turco-Muslims identities and the minimisation – or folklorisation – of regional and local specificities (for e.g. Ada & Ince 2009; Öztürkmen). In Turkey as elsewhere (Thiesse 2001), exchanges and circulations played an important role in the construction of national culture and the way of conceiving the role of culture and cultural policies (for e.g. Işiksel & Szurek 2014).
This is well illustrated for example in the transformation of Ottoman cultural institutions in republican one, with a firmly Western repertory (Kataoğlu 2009).
Today, the debates on cultural policy are renewed in the context of globalisation or of the negotiations for Turkey's adhesion to the European Union. These debates take place not only within public institutions but also within the private sector and associative world. With the economic liberalisation from 1980 onwards, state institutions progressively (and partly) withdraw from the cultural sector (Polo & Üstel 2014). This is shown for example by the greater opening towards private actors. In parallel, culture has now a great economic dimension and is more and more used as a tool of development, of growth, or of tourism. The initiatives aiming to encourage 'democratization', 'cultural diversity', or the localisation of cultural policies also go hand in hand with. One witnesses a diversification of actors involved
in the making of cultural policies (private, associative, international); one also witnesses the circulation of objects, ideas, instruments, or practices and modes of action, bringing together new stakes for culture and cultural policies.
This workshop takes place in the framework of the research project "Trans-Acting Matters: Areas and Eras of a (Post-)Ottoman Globalization" (ANR-12-GLOB-003). In this workshop on the making of cultural policies we wish to question the ways in which the circulations participate in the construction of cultural policies in Turkey today as well as to rethink the earlier cultural policies and actions from the late Ottoman Empire onwards. The workshop aims to rethink the co-production of cultural policies, of their spaces and territories, as well as the plurality of the conceptions of culture carried by cultural policies.
Thinking about trans-acting and trans-action, we aim to take into account in the study of the making of cultural policies in Turkey the multiple forms and uses of circulations. Considering the exchanges beyond the one-way diffusion, the importation, and the imposition, it also brings further the interrogations on the concepts of "Westernization" as "Europeanization". Focusing on trans-acting is also a way of deconstructing the operations of transfer of policies (Dumoulin and Saurruger 2010) and to question the "models" of cultural policies, the "best practices", the phenomena of cultural co-operations, or of translations.
1. The co-production of cultural policies
Trans-acting is first heard as an "acting together". The workshop will focus on the phenomena of hybridity (Abélès 2008, Appadurai 1996), of connections, and associations of various actors (Callon & Latour 1981) which co-produce original forms of cultural policies. The workshop will also pay attention to the resistances and to the places and moments where connections and associations are not made or do not work.
The workshop will focus on the trans-acting actors: how are the tools, the instruments, the individuals, the language, or the ideas that circulate "trans-making" the cultural policies? The workshop will be interested in all the actors involved in the establishment of a cultural action/policy, whether coming from the public sphere (Ministry of Culture and Tourism and dependent agencies, local Directorate, prefectures, municipalities, Türkiye Sanat Kurumu ; Döner Sermaye İşletmesi Merkez Müdürlüğü), the private's one (families, banks, SALT, galleries, businesses, publishing houses), associations and foundations (İstanbul Kültür Sanat Vakfı; Anadolu Kültür, local associations; etc.); whether they are collective or individual actors; based in Turkey or abroad.
(...)
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