Feminism and the building of a nation : Khamosh Pani (Silent Waters)

Date de début:

29 Septembre 2015 - 17:00

Type d'événement:

Ciné-club, projections

Publié ici :

05 Octobre 2015

Mis à jour le :

31 Août 2017

Contact:

amit.arora [at] csh-delhi.com

Mots-clefs:

féminisme
Inde
film

Zone géographique:

Asie

The Centre for Social Sciences and Humanities (CSH) is delighted to invite you to the screening of some key moments from the film Khamosh Pani, followed by a conversation with Prof. Sukrita Paul Kumar and Anandana Kapur

The CSH is please to carry on its visual evenings series on Feminism and the building of a nation with a discussion on "KhamoshPani" along with a screening of some key moments from the film starring Kirron Kher and Aamir Malik.

The Indian subcontinent was divided into India and Pakistan when the two countries got Independence from the British rule in 1947. The Subcontinent witnessed the migration of millions of people across newly drawn borders. The violence that was unleashed between communities was on a scale unseen before. Women of all communities suffered violence in its most brutal forms – abduction, rape, kidnappings, forced marriages, “honour” killings. The trauma of partition rendered many silent and voiceless. Literature and Cinema became testaments to the lived realities of those who had experienced partition - sometimes challenging state narratives and other times providing catharsis. The idea of the emergence of the nation and what it does to the displaced subject will be discussed through Sabiha Sumar's 2003 film "Khamosh Pani” (Silent Waters).

Prof. dr. Sukrita Paul Kumar was born in Kenya and is a poet and critic who currently holds the Aruna Asaf Ali Chair at Delhi University. Formerly, a Fellow of the Indian Institute of Advanced study, Shimla, she was an invited poet and also is an Honorary Fellow of the International Writing Programme, university of Iowa (USA), as also of Hong Kong Baptist University. She has been a recipient of many prestigious fellowships and residencies.

Amongst many others, her critical books include Narrating Partition and The New Story.She has published many collections of poems, some of which are Dream Catcher, Poems Come Home (with Hindustani translations of her poems by Gulzar) and Without Margins. Her edited/co-edited books include Speaking for herself: Asian Women’s Writing (Penguin) and Ismat: Her life, Her Times.A known translator and an artist, she has also been a guest editor of some important journals such as Manoa of the University of Hawaii.

Anandana Kapur is founder-director Cinemad Inda. An award winning filmmaker and communications designer, she has worked extensively towards integrating film and social change initiatives. With a chosen specialization in documentary practice, Anandana has also worked on information and video campaigns for UNICEF, India. As a researcher and film scholar she has written extensively on gender, media, culture and social practice. She also trains children, university students, youth leaders and NGOs on using cinema to script change. Her films 'Much Ado About Knotting', 'The Great Indian Jugaad', ‘Chamba Nede Aa ki Door’ and 'Blood on My Hands' have screened globally and received critical acclaim. Anandana's current work is on interactive cinema and the city of Delhi.

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Feminism and the building of a nation : Khamosh Pani (Silent Waters)

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Feminism and the building of a nation : Khamosh Pani (Silent Waters)

Date de début:

Type d'événement:

Publié ici :

Mis à jour le :

Contact:

Mots-clefs:

Zone géographique:

Visiter le site web

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