CFP: WORKER PHOTOGRAPHY IN MUSEUMS: HISTORY AND POLITICS OF A CULTURAL HERITAGE IN EAST-CENTRAL EUROPE

Date:

25 Septembre 2019

Date de fin:

15 Novembre 2019

Date de prise de fonction:

27 Février 2020

Publié ici :

25 Septembre 2019

Mis à jour le :

25 Septembre 2019

Type d'appel:

Appel à contribution

International Workshop

Date & Venue: 27 February 2020, Prague
Deadline for applications: 15 November 2019
Organizers: Institute of Art History (CAS) & CEFRES
In partnership with: Institute of Contemporary History (CAS), Université Paris-Nanterre
Language: English

nterwar East-Central Europe gave rise to an international movement of left-wing activist photographers, whose aim was to expose the workers’ living and working conditions through mass-produced documentary photographs. Despite growing research in the wake of the landmark exhibition “The Worker Photography Movement” in Madrid in 2011, we still have difficulties grasping this photographic production in its full scope because the conditions in which it was preserved and transmitted over generations have not been systematically explored.

Originally, social, proletarian, or worker photography, as named by its proponents, was presented by the Communist propaganda as a weapon in the class struggle. It was meant to supply left-wing printed media with images documenting the life of workers in order to counteract the influence of “bourgeois” illustrated magazines. Therefore, some of the photographs were kept in the picture archives of newspapers, while others remained in the hands of their authors. The Nazi occupation of Europe brought about a shift in the conservation of worker photography by leading the Communists to hide or to destroy archives that were deemed compromising. As a result, picture archives in journals such as Arbeiter Illustrierte Zeitung in Germany, Regards in France or Rudé Právo in Czechoslovakia, as well as other archives of press agencies and leftist organizations across Europe, disappeared.

After World War II, however, many of these photographs resurfaced and were granted a second life. Some were moved to documentary collections of the Communist historical museums which blossomed in countries of the Eastern Bloc in the 1950s, while others were included in the photographic collections founded in art museums from the 1970s. Such transfers brought about shifts in the status and uses of these images. Worker photographs turned into historical documents or works of art, despite having been originally conceived of as news or reportage photography and mass-reproductions. Having become cultural objects in their own right, they were used for political or historical purposes. Today, this visual material still raises issues of status and past political uses, which art and history museums in East-Central Europe have to address through new museum practices.

This international workshop examines the legacy of worker photography as museum object, cultural heritage and history in East-Central Europe from 1945 until today. How was worker photography preserved, historized, and mediated in East-Central European museums? The goal is to provide a multifaceted perspective on worker photography by confronting its political and historical uses and its musealization (van Mensch 1992) after 1945 on the one hand, and the memory issues it raises today on the other.

The workshop is part of the interdisciplinary and international sessions organized by the Photography Research Centre at the Institute of Art History of the Czech Academy of Sciences (https://www.udu.cas.cz/en/photography-research-centre/). Established in 2018, the Centre ambitions to become a singular platform for interdisciplinary research in the Czech Republic, with the objective of overcoming national, branch-based and mono-institutional approaches of photography and photographic history in Central Europe.

Papers are sought on worker photography in museum collections in East-Central Europe, addressing the following questions :

Contextual and ethical reasons that led to conserving worker photography;
Actors and institutions involved in this process;
Conservation and cataloguing procedures (themes, metadata and documentation);
Exhibition, mediation and display practices;
The political, ideological and cultural uses of worker photography in museums;
Historiography: uses of worker photographs as illustrations of official narratives, or worker photography histories, be they local or transnational;
Worker photography as evidence, historical document, work of art;
Shifts observed: from the private to the public sphere, from one medium or format to another;
Material forms: analogue (prints, photomechanical reproductions) or digital;
International exchanges between institutions and circulation of photographs;
Comparative outlooks on worker photography collections in East-Central Europe and beyond.

This call for papers welcomes presentations from scholars, curators, archivists and collection managers who engage with the questions of the preservation, collection, exhibition and historiography of worker photography in East-Central European museums after 1945.

Deadline for submissions: 15 November 2019

Paper proposals: abstract of up to 300 words for 20 minute talks and a short biography (c. 150 words) can be sent to Fedora Parkmann (parkmann@udu.cas.cz).

Conferences costs: Help with travel and accommodation costs may be offered to participants who are not able to secure funding from their institutions.

The workshop will take place in Prague on 27 February 2020 at the CEFRES (French Research Center in Humanities and Social Sciences). The workshop language is English.

Appels récents

CRFJ aide à la mobilité internationale Projets et mobilités au CRFJ Prochain appel AMU-CRFJ 2020-2021 Vous êtes chercheur ou... 17/09/2020 Lire la suite	IRASEC offre d'emploi DIRECTRICE / DIRECTEUR (IRASEC) A BANGKOK (THAÏLANDE) Affectation : INSTITUT DE RECHERCHE SUR L'ASIE DU SUD-EST... 16/09/2020 Lire la suite	MFJ offre d'emploi CHARGÉ.E DE MISSION "CHERCHEUSE" / "CHE... Affectation : INSTITUT FRANÇAIS DE RECHERCHE SUR LE JAPON A... 16/09/2020 Lire la suite
CEFAS offre d'emploi DIRECTRICE / DIRECTEUR DU CEFAS À KOWEIT (KOWEIT) Piloter, organiser, gérer un institut français de recherche... 16/09/2020 Lire la suite	CEFC offre d'emploi CHARGÉ.E DE MISSION « CHERCHEUSE » / « CHERCHEUR » - CE... Le CEFC est un institut de recherche à vocation régionale (... 16/09/2020 Lire la suite	IRMC offre d'emploi CHARGÉ.E DE MISSION "CHERCHEUSE" / "CHER... Affectation : INSTITUT DE RECHERCHE SUR LE MAGHREB... 16/09/2020 Lire la suite
IFEA - Istanbul aide à la mobilité internationale Aide à la mobilité 2021-2022 Aide à la mobilité pour doctorants DATE LIMITE DE ... 15/09/2020 Lire la suite	IRMC école doctorale itinérante 5ème édition de l'Ecole doctorale itinérante en SH... Réservé au doctorants inscrits dans une université du... 14/09/2020 Lire la suite	UMIFRE-FMSH appel à contribution Histoire de la diplomatie culturelle française Université de la Sorbonne-Nouvelle Paris 3 / Ministère de... 14/09/2020 Lire la suite

Tous les appels

Autres actualités de l'IFRE

CEFRES compte-rendu de lecture Samuel Hayat, Quand la république était révol... Une lecture du livre de Samuel Hayat, Quand la républiq... Lire la suite	CEFRES Le dire des choses : de l’entaille à la surfa... Une lecture du livre de Romain Bertrand, Le détail du m... Lire la suite	CEFRES Les conflits de dénomination: « révolution »... Compte-rendu de la conférence donnée par Maria Kokkinou... Lire la suite
CEFRES Patrick Boucheron - La trace et l'aura Patrick Boucheron: La Trace et l’aura. Vies posthumes d... Lire la suite	CEFRES Peut-on comparer les révolutions ? Compte rendu de l’intervention de Jérôme Heurtaux dans... Lire la suite	CEFRES Révolution de velours et dissidence intellect... Séminaire historique franco-tchèque, Prague, 7 novembre... Lire la suite
CEFRES Marginal rural areas Social actors and environment in local sustai... This chapter focuses on the potential assets of a typic... Lire la suite	CEFRES Hongrois de Slovaquie La Hongrie et les minorités hongroises Depuis la chute du régime communiste, un aspect importa... Lire la suite	CEFRES archives Contemporary Art Museums in Central Europe Miklós Székely The paper investigates the collection-bu... Lire la suite