CHINA PERSPECTIVES 2019/3

Publié ici :

31 Janvier 2020

31 Janvier 2020

31 Janvier 2020

SPECIAL FEATURE
Sinophone Musical Worlds (1): Circulations of Sounds, Affects and Identities

Special Feature

Editorial – Including Music in the Sinophone, Provincializing Chinese MusicPage 3

Nathanel Amar

“The Song of Selling Olives”: Acoustic Experience and Cantonese Identity in Canton, Hong Kong, and Macau across the Great Divide of 1949Page 9

Nga Li Lam

“Eating Hanness”: Uyghur Musical Tradition in a Time of Re-educationPage 17

Amy Anderson • Darren Byler

The Shanghai Conservatory of Music and its Rhetoric: Building a World Class Musical Institution with Chinese CharacteristicsPage 27

Eugénie Grenier Borel

“Bang Bang Bang” – Nonsense or an Alternative Language? The Lingualscape in the Chinese Remake of I am a SingerPage 37

Tian Li

Article

The Politics of Imagining Formosa: Contesting Multiculturalism, Tradition, and Historical Memory in Ten Years TaiwanPage 47

Justin Wu

Current Affairs

The Involvement of Planners in Community Planning: A Promising Model for Chinese Local Governance?Page 55

Liao Liao • Chong Zhang • Jianfeng Feng

A Brief Genealogy of HanmaiPage 63

Ge Zhang • Jian Xu

Film review

WANG, Bing 王兵. 2018. Dead Souls (Si Linghun 死靈魂).Page 69

Judith Pernin

Book Reviews

LING, Wessie, and Simona SEGRE-REINACH. 2018. Fashion in Multiple Chinas: Chinese Styles in the Transglobal Landscape.Page 71

Sabine Chrétien-Ichikawa

DAI, Jinhua. 2018. After the Post-Cold War: The Future of Chinese History.Page 72

Jessica Yeung

WELLAND, Sasha Su-Ling. 2018. Experimental Beijing: Gender and Globalization in Chinese Contemporary Art.Page 73

Doris Sung

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